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Plays recently presented at EXIT Theatre ...

Over 500 performances are presented each year at the EXIT's four venues: EXIT Theatre, EXIT Stage Left, EXIT
Cafe, and EXIT on Taylor. These are the plays from 2006.
PLAYS AT THE EXIT DURING 2006
PLAYS AT THE EXIT DURING 2005
PLAYS AT THE EXIT DURING 2004
PLAYS AT THE EXIT DURING 2003
PLAYS PRESENTED AT THE EXIT DURING 2002
PLAYS PRESENTED AT THE EXIT DURING 2001 AND BEFORE
 
365 Plays/365 Days by Suzan-Lori Parks Produced by Cutting Ball Theatre. EXIT Cafe December 2006. REVIEW

MARK ROMYN'S BIG THURSDAY NIGHT COMBO CHRISTMAS SPECIAL !!!

EXIT Cafe DEC 21st 8:30pm, No Reservations Required. $5 donation requested.

Well, we've got a show! A Big Thursday Night Combo Christmas Show coming up! I've got a shit-load of talent coming at you, including: Monologist Steven Karwoski ; Comedian Reanie Roads; Writer Marianna Cherry; Magical Christian Cagigal; Talent Supreme Cameron Galloway; The Music-Comedy-Magic of The Whistleaires; And More?!! Should be a good show methinks! Yours, Mark Romyn.

STRIP WORLD! by Rey Carolino. For your holiday theater pleasure see what happens when actors and strippers collide! Presented by RubberMarch Seriez. REVIEWS

EXIT Theatre FRI/SAT 8pm DEC 1 - 16. Tickets $20 General Admission, $15 Students, Seniors TBA members. Reservations 415-508-1808.

Featuring Livia Demarchi, Heather Ryan, Rey Carolino, Elixabeth La Tiny Cruz, Larry Rekow, Ted Speros, Jarrod Quon, Phil Hilton, Sabrina Houshmand, Irving Schulman, Daniel Nowlin, Jane Datangel, Daphne Morgen, Donald Dobrott, Elise Jones, Lauren Farah, Jessica Perez

mugwumpin presents super:anti:reluctant

Created by Joseph Estlack, Denmo Ibrahim, Leda Lum, Celeste Martinez, and Christopher White

All the heroes are dead, so we keep our identities secret.
Would anyone be watching anyway?
By shamelessly unmasking your obsession with the American hero, mugwumpin's latest ensemble-created assemblage investigates various heroic archetypes and their sway over our culture. Original and found music, text, gesture, and sheer freakishness conjoin to create a stunning visual and physical experience. mugwumpin's parallel universe reveals the myths that live among us.
Dead were all the heroes. Until now. REVIEWS
EXIT Stage Left 8pm THUR NOV 2nd then FRI/SAT thru DEC 15th, 2006 (No Shows NOV 24/25)

mugwumpin is a member of the Intersection Incubator, a program of Intersection for the Arts providing fiscal sponsorship, incubation and consulting services to artists. Visit www.theintersection.org.

FUNNY BUT MEAN GOES TO THE FUTURE.

EXIT Theatre 8pm Mondays NOV13th and NOV 20th. Tickets: $10 or $7 w/donation (see www.funnybutmean.com for details) Reservations: (415) 814-2969

The San Francisco sketch comedy troupe is back from New York where they performed at the Upright Citizens Brigade Theatre, The Improv Cafe and The Benefit for the Abingdon Theatre with Fred Willard. Incorporating video, music and of course comedy, Funny But Mean is a group of performers who provide intelligent, irreverent and sometimes just cruel shots at a different topic for each show. In Funny But Mean Goes To The Future you'll be a witness to the Scientology morality play and the torments of their savior, you'll meet your future self and see what television programming will eventually offer.

Featuring the writing/acting talents of: Brian Agard, Stephanie Brown, Alexandra Creighton, Kevin Crook, Stanley Frank, Jason Frazier, Kalli Jonsson, Jennifer Masto, Liz Milican, Lena Mullins, Sarah Nealis, Anthony Nemirovsky, Joseph O'Malley, Ignacio Orellana- Garcia, Frannie Pope, Paul Smith, Zoe Stagg and Liam Vincent.

(left to right) David Koppel and Ted Barker

PHOTO: Patrick Tracy

THE ZOO STORY by Edward Albee presented by Arclight Reertory Theatre.
EXIT on Taylor THUR/FRI/SAT 8pm NOV 2 - 18. Tickets: $20 general admission and $15 for students and seniors (62+). CLICK TO BUY TICKETS ONLINE or call 1-800-838-3006 and ask for event number 7110.
A gripping encounter between Peter, a well-off, well-intentioned family man leading a life of quiet desperation, and Jerry, a rootless drifter seething with resentment in the face of what Albert Camus has called "the infinite silence of the world." With savage, hard-bitten humor, the play makes plain the costs of complacency and compromise on the one hand, and of an unyielding commitment to the naked truth on the other. As a play which raises questions about the price of head-in-the-sand complacency, it is more timely than ever given world events since the millennium. Directed by Andrew Utter with David Koppel and Ted Barker. Sets by Ian Marsh, sound designer Norman Kern, stage manager Dana Ashby

TANGO LA MELODIA
EXIT Theatre
8pm Fri/Sat Nov 10, 11; Fri/Sat Nov 17, 18
Tickets: $15 adv, $18 door Reservations and info: www.brentbishop.com

TANGO LA MELODIA returns following the success of its sold-out summer performances. This multimedia performance from collaborators Brent Bishop and Paige transports audiences to a speakeasy world of Tango, Gypsy Jazz, and faded Americana. Have a laugh, shed a tear, and join us for a Night of Music, Film, Dance, Love, Beauty and Tragedy!

Come One and All! Live Music! Film! Dance!

FAR AWAY by Caryl Churchill, Directed by Molly Aaronson-Gelb

EXIT Theatre FRI/SAT OCT 13th – NOV 4th at 8pm Tickets: $12-$20, sliding scale.
http://www.brownpapertickets.com/event/6903 or (510) 421-1458 For more information go to www.justtheater.org Just Theater presents Caryl Churchill's Far Away, a haunting, semi-apocalyptic story from one of the world's most consistently inventive playwrights. Written in 2000, this remarkably prescient play transports us from a place we think we know to an unfamiliar territory: where hat-making is high art, executions are reality TV, and the elephants have joined the war on the side of the Dutch.

Directed by Molly Aaronson-Gelb with Michael Barrett Austin*, Lindsey Gates*, Hannah Rose Kornfeld, and
Valerie Weak. Logan Granger (sets) Erin Schultz (costumes and hats) Jarrod Fischer (lights)Dina Maccabee (composer) Sibani Michael Bose (stage manager), Christina Paige Markel (Graphic Design)

*Actors' Equity Member, An Equity Approved Project

Lindsey Gates PHOTO: Molly Decoudreaux

Broadway With A Twist --A Musical Revue Performed by Six Men

EXIT Stage Left THUR/FRI/SAT 8pm, Preview OCT 12 then through OCT 28. Tickets $12 (Preview), $18 (Thursdays), $24 (Friday & Saturday)

is a heady cocktail of favorite Broadway show tunes, concocted from a fresh mix of music, love, and laughs, with a big splash of lust. This all-male musical revue, presented concert style, features an appealing chorus of six guys singing and dancing their way through classic Broadway love songs from iconic hit shows by Rodgers and Hammerstein, Stephen Sondheim, Lorenz Hart, and many more. Whether you’re looking for new love or remembering an old flame, come experience Broadway With A Twist and rediscover the universal appeal of love, whatever form it takes.
Time: Yesterday, today, and tomorrow
Place: A lively piano bar
Song Samples: Big Spender (from Sweet Charity), I'd Be Surprisingly Good for You (from Evita), You Must Meet My Wife (from A Little Night Music), and many more

For tickets go to: http://www.brownpapertickets.com/event/6286
Ticket reservations at 1-800-838-3006

EXIT Theatre Presents Christian Cagigal's The 13 Steps

EXIT Cafe FRI/SAT 8:30pm OCT 13 - OCT 28 Tickets $12 - $20 sliding scale at the door; $20 online tickets. Reservations at 415-673-3847 or CLICK HERE FOR ONLINE TICKETS

An intimate evening of close-up illusion, theater and mindreading guided by actor and award winning magician Christian Cagigal (Winnner Best of Fringe 2004-Magic @ the Fringe) "Close-up magic is the kind of theater where no 4th wall is allowed," says Cagigal, "With close-up magic you don't just watch the show, you are the show. You can't sit invisibly in the dark and safely contemplate what you are seeing; you are an active participent. What happens in the show happens to you."

Christian Cagigal has had successful runs in both the 2003 and 2004 SF Fringe Festivals. He has consulted for The San Francisco Ghost Hunt Walking Tour (as seen in the SF Chronicle and the Travel Channel) as well as Crowed Fire and A.C.T.'s MFA Program. Cagigal is also a member of reknowned San Francisco Mime Troupe (no not that kind of mime) where he just finished a fantastic run as an actor and apprentice writer on this summers hit, Godfellas.

But, starting October Friday the 13th Christian Cagigal returns to his roots with his next venture into the world of illusion or as he likes to call it, "..questioning reality..." Whether your are a strong believer or staunch skeptic 13 Steps promises to ask the question, "Do you really know what is fake and what is real?"

....what's your answer.........?

"...emotionally affecting...." --Jean Shiffman-Backstage West

"...intimate spectacle...it's no coincidence that "Cagigal" rhymes with "magical." -- Chloe Veltman-SF Weekly

MARK ROMYN'S THURSDAY NIGHT COMBO. EXIT's variety show host Mark Romyn features short excerpts from some of the outstanding acts working on new material. Selections from magicians, writers and performers .$5 donation requested. EXIT Theatre THURSDAY AT 8:30PM ON

  • October 26th -- 8:30pm

COWBOY MOUTH, the 1971 classic by Sam Shepard and Patti Smith presented by Anodyne Productions

EXIT on Taylor, THUR/FRI/SAT 8pm OCT 5 to OCT 21
Cowboy Mouth takes us into the frenetic fantasy world of the mad, poetic and beautiful Cavale (Kimberly Schooling) Cavale has kidnapped Slim (Chris Carlone) at gunpoint with the agenda of creating the ultimate rock and roll savior. Slim, a former rocker who once had a similar dream, is married with a child. However, he falls in love with Cavale and becomes enthralled by her conviction that rock and roll is the ultimate expression of their time. Cooped up in Cavale's run-down shack, the tormented relationship between Slim, Cavale, and her pet crow Raymond comes to a climax with a fascination for Lobster Man (Chris Kaup,) a delivery man who brings them -- you guessed it -- lobster.

Directed by Bekah McNeil and with set design my Mike Lewis, Anodyne Productions brings you a high energy production with its roots firmly planted in rock and roll. Veteran musician/songwriter Chris Kaup of San Francisco (Fantasy, The Knittles, Horse Thief Jack)provides a scorching live soundtrack of live, original songs based on the themes of the play. All of this makes for a fresh, new production of Cowboy Mouth waiting to be seen and heard.

For Reservations e-mail cowboymouth.sf2006@gmail.com or call 415 218 6033

Cowboy Mouth is presented by special arrangement with Samuel French, Inc

Four of the "Best of the Fringe" return to EXIT Theatre for One Performance Only to benefit the San Francisco Fringe Festival

  Best of the Fringe Sept 29 - 30

Tickets $20 per show. All sales benefit the San Francisco Finge Festival. CLICK HERE TO BUY TICKETS ONLINE or call 415-673-3847 for reservations.


Where the Sun Don't Shine

Friday Sept 29 8pm

"Fun and funny. a hilarious spoof of the 'Twilight Zone', with great props, sharp faux-melodramatic acting (and hairstyles), well-written and fast paced. Lots of fun." -- AUDIENCE REVIEW

ONLINE TICKETS

Kingdom of Not

Friday Sept 29 9:15pm

"This is a phenomenal piece of work. Beautifully written, lapsing into all manner of literary forms it moves, and exquisitely performed. Hysterically funny and stonily sober as it moves from place to place in a biblical story gone awry." -- AUDIENCE REVIEW

ONLINE TICKETS

The Secret Ruths of Island House

Saturday Sept 30 8pm

"Absolutely brillant. A deft exploration of aging, memory, and love. The masks are stunning, and the actors capture the physicality of the aged with an accuracy and empathy that brings these characters to life. Ultimately, I left the theatre overwhelmed with the heartbreaking beauty of it all." --AUDIENCE REVIEW

ONLINE TICKETS

Sheepish

Saturday Sept 30 9:15pm

"Jessica Fudim's Bo Peep made me want to find her sheep for her. Engaging, cute and fun. Great dance sequences with the back projection of the meadow. Cool songs with the accordion. Terrific audience interaction, and the crank phone call sequence was fun too." -- AUDIENCE REVIEW

ONLINE TICKETS

 Best of the Fringe 2006

  • Best New Play - Secret Ruths of Island House
  • Best Dramatic Female Solo - This Lily Was (Fontana)
  • Best Comic Female Solo - BabyLove
  • Best Ensemble -- @Six
  • Best Site Specific Theatre - Sisyphus on Vacation
  • Best Dramatic Male Solo - Kingdom of Not
  • Best Comic Male Solo - Curriculum Vitae
  • Best New Musical Script - Thanatics - A Rock Opera
  • Best Dance Theatre - Sheepish
  • Best Sketch Comedy - Get Laughs or Die Tryin'
  • Best New Shorts - Where The Sun Don't Shine
  • Best Newcomer - Julia Steele Allen, A Boy Called Noise
  • Techie's Choise Award - Yorick & Co.
  • Tenth Anniversary Award - nEO sURREALIST sYSTEMS
  • Fifth Anniversay Award - Rogues' Yarn
  • Best Postcard -- @Six
  • Barbara Holloway Volunteer Award - Ron Coulter
  • Barbara Holloway Volunteer Award - Robert Hayden
  • Uber Tech Award - Nicole Gluckstern

 

  SAN FRANCISCO FRINGE FESTIVAL Sept 6-17, 2006

UNIQUE * UNEXPECTED * UNCENSORED THEATRE * 12 DAYS * 39 SHOWS

 PRODUCED BY:

 MEDIA SPONSOR:

 VOLUNTEER SPONSOR:

 

 CLICK ON FRINGE PLAY TITLE (or picture) FOR INFO, SCHEDULE OR TICKETS:
@six
21/One
Another Ugly Duckling Tale
BabyLove
Before the End
A Boy Called Noise
cruel & unusual
Curriculum Vitae
Eating Skeletons
Exiles
Fall and Rise of the Rising Fallen
Flamenco con Fusion
Fuse
Get It? Got it. Good.
Get Laughs or Die Tryin'
I'm Sorry and I'm Sorry
Irma at the Movies & Frozen
Just For Laughs
Kama Sutra
Kingdom of Not
Lunches of Our Lives
Neon Man and Me
nEO sURREALIST sYSTEMS
Pomp & Circumstance
Readiness is All
Revolving Madness Living the Dream and Damning the Man
sally: MIA / Sheepish
Secret Ruths of Island House
Sisyphus on Vacation
Stone Trilogy, Three Tales
Thanatics - A Rock Opera
This Lily Was (Fontana)
Thrilling Adventures of Elvis in Space
Tilting at Transformations
Visiting Bertha
Waiting for Bordeaux
Where the Sun Don't Shine
Woof, Daddy
Yellow Fever Express
Yorick & Co.

 

THE LEGENDARY AND FABULOUS PASSION PLAY by Shawn Ferreyra
July 14 - August 19, 2006
Fridays and Saturdays at 8PM
Tickets $20 (July 14 and 15 are Pay-What-You-Can at the door)

From the creators of THE RISE AND FALL OF THE MONKEY KING. Set in an underground drag world where legends are made, beauty and dreams triumph over oppression with the help of a misunderstood Messiah who makes the biggest sacrifice for love. THE LEGENDARY AND FABULOUS PASSION PLAY tells the story of star-crossed lovers banned from creating a union because of their sex, the holy messenger who brings us the one truth about love and marriage, and the religious zealots who, like everybody else, are looking for answers in a world that has none.

For Tickets CALL 800-838-3006 or VISIT www.elgatotheatre.org

TANGO LA MELODIA
August 11&12 at 8pm, EXIT Theatre.

Come One and All! Live Music! Film! Dance!

TANGO LA MELODIA is a new multimedia performance in which collaborators Brent Bishop and Paige transport audiences to a speakeasy world of Tango, Gypsy Jazz, and faded Americana. Have a laugh, shed a tear, and join us for a Night of Music, Film, Dance, Love, Beauty and Tragedy!.

Online Tickets $12, At the door $15. For online ticket reservations: www.whatshewrote.com

ARE YA DATING? Written and Performed by Steven Karwoski
August 11 and 12 8:30pm $8-15 sliding scale reservations 415.929.8100

Do women really want men to be in touch with their feelings, can even the best date go on too long and what would possibly drive a man who is afraid of ghosts and goblins to spend a date in a cemetery? Come discover the answers to these questions as veteran solo performer Steven Karwoski chronicles his life in the trenches of the dating world.

"Karwoski's sincerity and charm wins us over..." SF Guardian

HILL OF BEANS by Greg Lucey(a staged reading). It's after hours at The Mermaid Lounge. Four lost souls are stranded on the other side of midnight. What did Mick steal? Will Sylvie receive a message? Will The Singer live to tell? Will Russ get a laugh?

Featuring: Cameron Galloway, Mark Romyn, Shamrock McShane, Bob Mowry, and Greg Lucey

PLACE: A tropical Island. TIME: Now. Or never.
Thursday, August 3rd. EXIT Cafe. 8:30 PM. Free.Reservations: 415-436-9123

THIS IS OUR YOUTH by Kenneth Lonergan. From the author of the critically-acclaimed, award-winning motion picture You Can Count on Me comes This Is Our Youth, Kenneth Lonergan's poignant, witty, and powerfully subtle tragicomedy about the sophistication of the techniques which we employ to see ourselves through adolescence; techniques which we must eventually outgrow and break our reliance of in order to reach adulthood.

Directed by David Lin. Starring Matthew Vierling, Ben Euphrat, and Marilyn Chay

EXIT on Taylor Show Times: Friday, August 4th - 8:00 p.m. Saturday, August 5th - 3:00 p.m. and 8:00 p.m.

Tickets: $8 tickets at the door. Reservations: (415) 606-2220 or DavidxLin@gmail.com

STRIP WORLD! Sexy one act plays by Rey Carolino Presented by Actors Run Wild in association with Rubbermatchseriez. 5 sexy one act plays by Rey Carolino. Five 20 minute plays exploring a colorful world of actors, strippers, hit-men, looney nuns, crazed movie stars, and a stressed out gay entertainment lawyer. These one act plays presented in association with Rubbermatchseriez will play for a single weekend of July 28 and 29 at 8:30pm at the Exit Café at 156 Eddy St. The plays will also be performed Dec 1,2,8,9,15,16 at the Exit Stage Left.
General admission is $15. Reservations: (415) 508-1808 or write Rubbermatchseriez@hotmail.com

MARK ROMYN'S THURSDAY NIGHT COMBO. EXIT's variety show host Mark Romyn features short excerpts from some of the outstanding acts working on new material. Selections from magicians, writers and performers .$5 donation requested. EXIT Theatre THURSDAYS AT 8:30PM ON

  • July 13 -- 8:30pm
 

LABORFEST 2006

July 8 Saturday 3:00 PM ExitTheatre Free
Writers Workshop with Roxanne Dunbar Ortiz
Working people can tell their stories for themselves and the world and this workshop will help us get these stories out. Roxanne Dunbar Ortiz has spent her life writing her stories and breaking the stereotypes about working people.

July 15 (Saturday) 3:00 PM EXIT Theatre Free
$3 Dollar 3 Hour Jungle
Readings from "The Jungle" by Upton Sinclair With Jay Martin and others
"The Jungle" by Upton Sinclair is as relevant today as when Sinclair wrote this powerful story about the meat industry. Join Jay Martin and others who will read segments from this work

CLICK FOR LARGER IMAGE

PHOTO: Laurie Gallant

LAST OF THE RED HOT DADAS by Kerry Reid with Christina Augello, directed by John Warren. The true story of Baroness Elsa von Freytag-Loringhoven, Dada's unsung heroine, as she reflects on the nature of art, gender relationships and the price to be paid for telling the truth about both. Returning to EXIT Theatre for two performances only in preparation of the first production of EXITNYC at The Red Room on New York's off-off-Broadway Row. CLICK FOR MORE INFO

The Red Room THUR/FRI/SAT 8pm JUNE 15 - JUL 1. Tickets: $15 CLICK FOR ONLINE TICKETS or call 212-352-3101 for phone sales or 212-228-0482 for info or reservations.

BABYLON HEIGHTS by IRVINE WELSH and DEAN CAVANAGH the spanking new play by internationally acclaimed author Irvine Welsh (Trainspotting, Porno) and Dean Cavanagh, will have its World Premiere at EXIT Theatre in San Francisco this June. The play is set in the heart of an enduring Hollywood myth. During the filming of The Wizard of Oz, rumors abounded that the "Munchkins" were out of control. Nightly orgies of sex, drugs and random acts of madness filtered through to the press. Mervyn LeRoy, the movie's producer said, "The Munchkins had sex orgies in the hotel, and we had to have police on just about every floor."

Then, there was the rumor of the munchkin suicide on the set. Rent the movie and look closely in the background of the scene with Dorothy, the Tin Man and the Scarecrow as they set off down the yellow brick road. Hanging from a tree is a little person. Babylon Heights tells the story of the swinging munchkin. While touching on issues surrounding dwarfism as a medical and psychological condition, Babylon Heights is essentially about four desperate people in 1930's Depression America, and the powerless, suffocating circumstances of their lives. "We wanted full-grown actors (to play the roles) so that the audience could feel 'small' and threatened themselves by the 'big people' out there," says Irvine Welsh. "We wanted to show that the munchkins were just people away from home with all the temptations and problems that brings. Their size is not really the issue; it's their powerlessness in the circumstances." Babylon Heights is likely to become the most talked about play to be staged in San Francisco this year.James Reese, a founding director of the San Jose Stage Company, directs the play. Produced by Blackburger Shows and Christie Ward. REVIEWS EXIT Theatre WED/THUR/FRI/SAT 8pm JUNE 14 - JULY 1. Tickets $20 general, $15 students. For reservations or info: 415-249-9332 or CLICK TO BUY $20 TICKETS ONLINE

 

Myers Clark & Allison L. Payne

PHOTO: Rob Melrose

The Death of the Last Black Man in the Whole Entire World by Pulitzer Prize winning playwright Suzan-Lori Parks directed by Rob Melrose REVIEWS
EXIT on Taylor Fridays and Saturdays at 8pm May 19 – June 24
Regular Admission: $25 Students & Seniors: $20, Next Generation (under 30): $15
Tickets go to www.cuttingball.com
For info call 415-419-3584
“Suzan Lori Parks is the greatest playwright writing in the English language today.” – Tony Kushner, author of Angels in America
Considered by many to be her masterpiece, The Death of the Last Black Man in the Whole Entire World is a theatrical event that defies description. Influenced by the compositional techniques of jazz, it is a poignant and oftentimes hilarious look at African-American history through a kaleidoscopic lens. Parks reanimates figures and stereotypes from the past, who come forward to reveal a history that is all their own. Please join us for the Bay Area’s first look at this virtuosic play.
Set Design by Liliana Duque, Costume Design by Claire Calderwood, Sound & Music Design by Cliff Caruthers, Lighting Design by Rob Melrose, Props and Assistant Set Design by Luiza Silva, Stage Manager Laura Davis, Assistant Stage Manager Robert McPhee, Graphic Design by Debra Singer
James Joyce's ULYSSES
EXIT Cafe. June 16th and 17th 8:30pm Tickets $10 Info/reservations 510-532-8420

Aggro Theatre presents James Joyce's ULYSSES; an evening of words and music from the novel considered by many to be the most important of the 20th century. June 16th 2006 is the 102nd anniversary of the day described in the novel. On that day Leopold Bloom makes breakfast, attends a funeral, meets friends, avoids enemies, bathes, flirts, eats, farts and tries in vain not to dwell on his wife's infidelity. Joyce draws on Bloom's present, his past, his future, his consciousness and subconscious to describe the experience of ones man's day. In doing so, ULYSSES is a portrait of all our lives, all our experiences, and all our existences. In this celebration of ULYSSES, Aggro Theatre will read a selection of short passages from the novel, sing songs heard on June 16th 1904 and (we hope) demonstrate some of the humor, beauty and humanity in Joyce's masterpiece.

CHEMICAL IMBALANCE a comedy of horrors by Lauren Wilson directed by Graham Smith with Elizabeth Bullard, Andrew Calabrese, Erin Carter, Gabriel Diamond, Ben Dziuba, Javier Galito-Cava, Nicole Lungerhausen, Maria McKee and Kendra Lee Oberhauser
EXIT Stage Left THUR/FRI/SAT 8 pm JUNE 2 - JUNE 10 NOTE: THUR JUNE 8 8pm will be a free reading a new play THE GOSSIPS by Garret Groenveld. Tickets: $15-$30 general, pay-what-you-can on Sunday June 4 Reservations: 415-563-5085
Laughter and blood erupt in this darkly comic adaptation of Robert Louis Stevenson’s Dr Jekyl and Mr Hyde. During a particularly charming Christmas holiday, Dr. Jekyl’s macabre experiments go badly awry and twist his refined, victorian upbringing into unthinking evil. Repressed impulses burst their corsets as Jekyll embarks on his schizophrenic journey which threatens to reveal the bloody hands beneath the gloves of the British Empire. Murder, mayhem, and crumpets abound in this romp through an empire on the verge of collapse and a man tight-rope walking the line of aristocracy and depravity. Please join us!
 
*This work received support for its initial development during an AIRspace residency at the Jon Sims Center for the Arts


Beauty and the Breast
"Whimsically inventive, delightfully playful and deeply affecting, all in a mere 45 minutes, Liebe Wetzel’s latest piece of found-object puppetry magic examines the mortal and emotional ramifications of breast cancer to surprisingly comic and eloquently nuanced effect. As developed with Wetzel’s Lunatique Fantastique ensemble, director Jayne Wenger and Christine Young, a cast of brassieres and gardening implements performs a moving tale of one woman’s wrestle with the disease." -- SAN FRANCISCO CHRONICLE
The show’s production is aided by a grant from the Rockefeller Foundation.
Directed by Jayne Wenger, developed by Lunatique Fantastique with Christine Young and Jayne Wenger, object Choreography and Casting by Liebe Wetzel with Lunatique Fantastique Puppeteers: Jen Colasuonno, Susie Danzig, Sheila Devitt, Nicole Frantilla, Kelly Holly, Robin Plutchok, Christina Shonkwiler
ARTIST BIOS
THUR/FRI/SAT through JUN 3 (with matinee 3pm SAT JUN 3)
Reservations: 415-673-3847 Tickets $12 - $20 sliding scale ($10 Previews)
CLICK FOR ONLINE TICKETS $20

California's Primary Election is less than two weeks away. How much do you know about what's on the ballot? Wondering whether it's worth going to the polls at all? Unconditional Theatre is here to help!

UNCONDITIONAL THEATRE'S
PRIMARY ELECTION READING & DIALOGUE.

An evening of reading & dialogue focused on the Primary Election. We'll offer dramatic readings drawn directly from the ballot book and political blogs, and help you explore the unique reasons for your voting decisions. We won't be taking sides -- just sharing provocative quotes and facilitating your conversations. A fun way to get a handle on the election and discuss it with your peers. Even if you already know how you're voting, this can help you articulate your reasons and become a better advocate for your position.

Wednesday May 31st, 7:00pm
EXIT on Taylor

 

Cynthia Adams

PHOTO: Marty Sol

Cynthia Adams

PHOTO: Sharon Green

"WOMEN ON THE EDGE" Presented by Fellow Travelers Performance Group. An evening of works by some of the Bay Area's Finest Women Choreographers

EXIT Stage Left THUR/FRI/SAT 8PM May 11 - 20, 2006. Tickets for Women on the Edge are priced sliding scale of $12- 20 and are available at the door. Reservations: (510) 848- 8605.
Fellow Travelers Performance Group presents six evenings of innovative work by women dancetheater choreographers on the cutting edge of the San Francisco dance scene. The 2006 Women on the Edge will showcase the work of Michelle Spenser-Ellsworth, Monique Jenkinson, Leslie Seiters, Chris Black, Cynthia Adams and others. The performances will take place at EXIT Stage Left in concurrence with DIVAfest, a theatrical celebration of womanhood featuring work by women writers, directors, and performers.
Of the past Women on the Edge Festivals the Bay Guardian wrote,"… a lusty and robust physicality with a spicy sense of humor. " (Felciano, 1996), "defty curated… most excellent program." (Belmar,2000), and the East Bay Express wrote in 1998, "wildly fulfilling" (Scherr, 1998)
Fellow Travelers Performance Group History
Fellow Travelers Performance Group (FTPG) was formed in 1992 by artistic directors/choreographers Ken James and Cynthia Adams, whose vision was to create a company where artists from a variety of fields collaborate on performance works. FTPG works in fractured, filmic environments, exploring the ordinary madness of existence. Its performance style is a hybrid of traditional and experimental dancetheater involving the voices of choreographers, dancers, musicians, visual artists, directors and actors. The name was inspired by transcripts from the House of Unamerican Activities, which include investigations into R.J. Oppenheimer's status as 'fellow traveler' and his relationship to the communist party. His quote, " I do not like to think the thoughts of others" inspired the idea of a more fluid company in which all artists' input is valued equally in the creation of work.

Ken James and Cynthia Adams met performing Moving Earth, the company of postmodern Japanese choreographer Kei Takei. They have varied experiences in theater, including work with the New York-based experimental theater collective The Wooster Group and the Tanzfabrik in Berlin. They joined forces after discovering a shared interest in German Dancetheater and a vision of a company of peers using a range of media to explore the human comedy. Employing their extensive training in the incorporation of dance, video and film, modern and postmodern dance technique, improvisational performance, and contact improvisation, James and Adams have developed a rich and provocative form of entertainment.

Since 1992, FTPG has created over 30 pieces utilizing the talents of composers, sculptors, designers, poets, dancers, performers, musicians and directors. FTPG has taught nationally and internationally, most recently at the University of Wisconsin, Madison and Cabrillo College, and performed in many festivals including the Summerfest at the Cowell Theater (2002, 2004), Yerba Buena Gardens Choreographers Festival (2002), House Special (2002), 2000 Women - Vancouver, B.C. Canada (2000), Oakland Arts Festival - (2000), CSUS Festival of the Arts - (1997), Dancing on the Edge Festival, Vancouver, Canada (1996) and the E! Festival at Dancers' Group/Footwork (1995). Fellow Travelers has been featured multiple times as a "critic's choice" in the San Francisco Bay Guardian, The East Bay Express and Digitalcity.com. James and Adams have each been awarded multiple residencies at the Djerassi Artist in Residency Program, and James was also honored with a residency at Art Farm.

FTPG takes an active role in the local arts community as well as the national and international scene. In 1996, in order to aid artists create work in an environment which fosters creativity and experimentation, FTPG became a "micro-producer", a low budget, low-tech producer. In the ensuing years, Fellow Travelers has produced over 100 artists in showcases and festivals, including the Month of Sundays and The Women on the Edge Festivals, allowing a myriad of artists space to experiment, develop and refine their work.

Over the years, FTPG has challenged how and where dance is presented, creating work in fields, forests, climbing gyms, barns, buildings and sculptures. These forays remove dance from the traditional realm of the theater, accessing new audiences and opening up the possibilities of environment. Similarly, FTPG pushes all parameters in performance, using movement and other mediums to explore the surreal scope of human experience.

For more information go to www.ftpg.org or email: info@ftpg.org

 

DIVAfest April 20 - May 6, 2006

AND COMING MAY 11

WOMEN ON THE EDGE

 

EXIT Theatre Presents
DIVAfest
a theatrical collage of the female creative
April 20 - May 6, 2006

San Francisco

RESERVATIONS: 415-673-3847

ONLINE DIVAfest ALL SHOW PASS ($35)

ONLINE TICKETS FOR SHOWS AT EXIT THEATRE & EXIT STAGE LEFT

ONLINE TICKETS FOR SHOWS AT ORIGINAL JOE'S

 CLICK FOR DIVAfest PHOTO GALLERY

 CLICK FOR MEDIA

Beauty and the B-r-east

Guns and Ammunition

Waiting for FEMA

DIVA Cabaret

Revolutionary Letters

Back Seat

Reporter Girl

Dream House

CLICK HERE TO BUY A DIVAfest ALL SHOW PASS FOR $35

The fifth annual DIVAfest blossoms forth in San Francisco on all 4 EXIT Theatreplex and at Original Joe's Restaurant from Thursday April 20 through Saturday May 6, 2006. This year's DIVAfest includes premieres of three new commissioned plays, , a DIVA cabaret, a poetry reading and an art installation.
San Francisco’s EXIT Theatre Presents
5th Annual “DIVAfest,” April 20 – May 6
Dedicated to new work by women playwrights expands to three weeks; includes Liebe Wetzel, Diane di Prima, Bay Area Divas
EXIT Theatre, San Francisco’s downtown theatreplex for live, innovative performance will stage its 5th annual DIVAfest, a festival dedicated to new works by women writers from April 20 through May 6, 2006 at the EXIT Theatreplex stages
and in the cabaret room at San Francisco’s historic Original Joe’s Restaurant.
 
Press Contact:
Gary Carr, EXIT Theatre Publicist (925) 672-8717, carrpool@pacbell.net

INDIVIDUAL SHOW TICKETS $12 - $20 sliding scale
ALL SHOW PASSES $35
PREVIEW TICKETS APRIL 20 & 21 $10

 CLICK FOR DIVAfest PHOTO GALLERY

OPENING DAY SCHEDULE: APRIL 22: Revolutionary Letters 3pm; Back Seat 4:30pm; Guns and Ammunition 6pm; Beauty and the B-r-east 7:30pm; Waiting for FEMA 9pm; DIVAfest Cabaret 10:30pm ALL DAY PASS $35
Beauty and the Breast
Direction by Jayne Wenger
Developed by Lunatique Fantastique with Christine Young and Jayne Wenger
Object Choreography and Casting by Liebe Wetzel
Lunatique Fantastique Puppeteers: Jen Colasuonno, Susie Danzig, Sheila Devitt, Nicole Frantilla, Kelly Holly, Robin Plutchok, Christina Shonkwiler
A found-object puppet finds a lump in her self-examination and goes through the mostly painful, sometimes funny, always human, ups and downs of biopsy, mastectomy, diagnosis, and treatment for breast cancered. Both humorous and poignant, the play is based upon interviews with women who are survivors ob breast cancer, their partners and medical practitioners. The show’s production is aided by a grant from the Rockefeller Foundation. EXIT Theatre
ARTIST BIOS
Previews APR 20/21 8pm; Opening APR 22 7:30PM
FRI/SAT 8pm through MAY 6
then THUR/FRI/SAT through JUN 3 (with matinee 3pm SAT JUN 3)
Reservations: 415-673-3847 Tickets $12 - $20 sliding scale ($10 Previews)
CLICK FOR ONLINE TICKETS $20 ($10 PREVIEWS)

 

PHOTOS Bill Faulkner

 CLICK FOR DIVAfest PHOTO GALLERY

Guns and Ammunition
by Sarah McKereghan
Playwright Sarah McKereghan will premiere Guns and Ammunition, What happens when four women are thrust together in the face of tragedy? In the case of the O’Sullivan family, dirty laundry is aired and the claws come out. But is that necessarily a bad thing? Lauren was never a big fan of family functions, especially with her in-laws, but when her husband is shot during a robbery she and her daughter are forced to spend many long hours with his mother and sister confined in
a hospital waiting room. Years of grudges, gripes and passive aggression explode in a fury of rapid fire and no one is safe from the shrapnel.
Guns and Ammunition explores how the ways in which you communicate with others will dictate the health and direction of those relationships. It is about communication between women, especially under the pressure of family tragedy and how things long buried can come to the surface is strange ways. When women within the same family are faced with the potential loss of a loved one how does that affect them individually and how does that play out in the group dynamic? When you know exactly how to push each others buttons is there a wrong time to do it? Is there a right time?
ARTIST BIOS
EXIT Stage Left
Previews APR 20/21 8pm
Opening APR 22 6PM
FRI/SAT 8pm through MAY 6
Reservations: 415-673-3847 Tickets $12 - $20 sliding scale ($10 Previews)
CLICK FOR ONLINE TICKETS $20 ($10 PREVIEWS)

 

(clockwise from left) Carol Flanagan, Valerie Weak, Alyssa Harvey, Cheryl Smith, Leslie Waggoner

PHOTO: Laurie Gallant
Waiting for FEMA
by Karen Ripley and Annie Larson
Catch a glimpse intoyour future ... will it be an earthquake or tsunami that forces you to scream "HELP! FEMA!" Molly and Edna face chaos in this comic/musical Red Alert. By comic writer-performers Karen Ripley and Annie Larson, with live musical back-up by Jack "Applejack" Walroth. Ripley and Larson have toured nationally and have been performing together for over 20 years. Their last play, Show Me Where It Hurts, won “Best of Fringe” at the 2005 San Francisco Fringe Festival.
ARTIST BIOS
Original Joe's Restaurant FRI/SAT 9pm APR 20 - MAY 6
Reservations: 415-673-3847 Tickets $12 - $20 sliding scale ($10 Previews)
CLICK FOR ONLINE TICKETS $20 (PREVIEWS $10)
(left to right) Annie Larson, Jack "Applejack" Walroth, Karen Ripley
PHOTO: Laurie Gallant
 
DIVA Cabaret at Original Joe's
hosted by Sean Owens with Don Seaver on piano
With the '06 Quake as its 'shaky' start and the present-day as its finish line, On the Sixes is a neo-historical cabaret featuring some of the EXIT's (and the city's) most dazzling entertainers. From a Maiden Lane madam’s bawdy ballad, "The Wages of Sin," to a perverse recalibration of the Kinsey system ("Upsetting the Scales"), On the Sixes is a celebration of a female-driven century by the Bay!
A rotating line-up of fabulous talent ensures a new & fresh show every night! Come see the likes of Beth Wilmurt, Denmo Ibrahim, Janet Roitz, Leigh Crow, L.A. Hyder, Mia Paschal, Sharon Walton, Thessaly Lerner, Lara Bruckmann, Alison Bloomfield and EXIT's own Christina Augello.
Isadora Duncan-inspired interpretive dance collides with a high-energy duet between Patty Hearst and Angela Davis! Who but Owens and Seaver could bring you a night like this? And Owens will tie the evening together with a satin ribbon of silver-tongued wit and dazzling drag. On the Sixes, nestled in the Cabaret Room at the city's favorite nightspot since 1936, promises fresh perspective on the city's seismic centennial, and a night of "only-in-San Francisco" entertainment.
ARTIST BIOS
Original Joe's Restaurant FRI/SAT 10:30pm APR 20 - MAY 6
Reservations: 415-673-3847 Tickets $12 - $20 sliding scale ($10 Previews)
CLICK FOR ONLINE TICKETS $20 (PREVIEWS $10)

Sean Owens
PHOTO: Laurie Gallant
Revolutionary Letters
by Diane di Prima
DIVA favorite, celebrated Beat poet Diane di Prima, will read from the new edition of her classic Revolutionary Letters to be published in 2006. At last year’s DIVAfest, di Prima read from her epic poem, Loba, hailed as the great female counterpart to Alan Ginsberg’s Howl.
Diane has published forty-two books of poetry and prose and her work has been translated into more than twenty languages. She was born in Brooklyn, New York, in 1934, a second generation American of Italian descent. Her maternal grandmother, Domenico Mallozzi, was an active anarchist, and associate of Carlo Tresca and Emma Goldman. She began writing at the age of seven, and committed herself to a life as a poet at the age of fourteen. more biographical information on Diane di Prima
MEDIA
EXIT Theatre SAT APR 22 3pm Donation Requested
No Reservations Required

Diane di Prima
PHOTO: David Short
Back Seat
by L.A. Hyder
Visual/performance artist L.A. Hyder will construct an interactive sculpture piece at the EXIT Café at 156 Eddy Street. Entitled Back Seat, Ms. Hyder’s piece is the back seat of a car tricked out to represent the fabled teenage love-nest of the 50s. An audio element will present women’s real and/or imagined tales celebrating sexuality, along with the music that triggers them. Viewers can opt to participate by writing in Diva or Dude diaries of their own escapades while sitting in the “Back Seat.” Reception and opening EXIT Cafe SAT APR 22 4:30pm. Free
No Reservations Required
Reporter Girl -- a workshop reading
by Laura Rohrman
Playwright Laura Rohrman, who is the granddaughter of Brenda Starr creator Dale Messick, will present a workshop reading of REPORTER GIRL directed by Adriana Baer. This fictionalized dramatic work, which will be brought to life by several actors, is based on the life of Messick as she made her way in the male-dominated field of cartooning in the 1930s and '40s in NYC. The play is being presented in part to celebrate Ms. Messick's 100'th birthday (April 11th). Ms. Messick passed away last year just before turning 99.
EXIT Stage Left SAT APR 29 3pm
Donation Requested
No Reservations Required

DREAM HOUSE -- a workshop reading of a solo show with Elizabeth Fuller, written by Elizabeth Fuller and Conrad Bishop, presented as a work in progress reading. In the throes of her Inner Clown, Elizabeth with the help of her six sisters, all named Elizabeth - Liz the Developer, Bessie the Plumber, Beth the Dreamer, Bette the Inspector, Liza the Gambler, and Lizzie the Slut - tries to construct an edifice of identity that will stand up by itself. It's about identity and the trials of stage-managing the jangled ensemble inhabiting one's skull. It's funny, weird, intense and autobiographical, but we leave it to you to guess what's real and what's fiction. This reading is the second of a series of presentations around the Bay Area prior to touring. Elizabeth Fuller is co-director and actress with The Independent Eye ensemble, which has presented more than 3,000 performances throughout the US in its 32 seasons. The duo's plays have been produced by Mark Taper Forum, Actors Theatre of Louisville, Circle Repertory and many other theatres around the country, as well as by their own ensemble, and were recipients of two playwriting fellowships from the National Endowment for the Arts. Fuller - also composer of the sound score for DREAM HOUSE - was twice winner of Philadelphia's Barrymore Award for theatre music.

EXIT Stage Left SAT May 6 3pm
Donation Requested
No Reservations Required
 
About EXIT Theatre
EXIT Theatre presents over 500 performances each year by more that 100 companies and is one of San Francisco’s most successful and enduring centers of alternative performance. Now in its third decade, EXIT continues to commission, develop and produce new work and present independent artists. It produces the annual San Francisco Fringe Festival – the largest grass roots theatre festival in the Bay Area – and the annual DIVAfest, dedicated to developing new plays by women writers. Visit the EXIT Theatre web site at www.sffringe.org.
 
Press Contact:
Gary Carr, EXIT Theatre Publicist (925) 672-8717, carrpool@pacbell.net

 CLICK FOR DIVAfest PHOTO GALLERY

DIVAfest

at the EXIT Theatreplex and Original Joe's Restaurant

all near the corner of Eddy & Taylor Streets
in downtown San Francisco

Dates: April 20 - May 6, 2006

Reservations: (415) 673-3847

Women on the Edge

Fellow Travelers Performance Group presents six evenings of innovative work by women dancetheater choreographers on the cutting edge of the San Francisco dance scene. The 2006 Women on the Edge will showcase the work of Michelle Spenser-Ellsworth, Monique Jenkinson, Leslie Seiters, Chris Black, Cynthia Adams and others. The performances will take place at EXIT Stage Left in concurrence with DIVAfest, a theatrical celebration of womanhood featuring work by women writers, directors, and performers.
Of the past Women on the Edge Festivals the Bay Guardian wrote,"… a lusty and robust physicality with a spicy sense of humor. " (Felciano, 1996), "defty curated… most excellent program." (Belmar,2000), and the East Bay Express wrote in 1998, "wildly fulfilling" (Scherr, 1998) CLICK HERE FOR MORE INFO ON WOMEN ON THE EDGE

EXIT Theatre and DIVAfest 2006 are supported by the Rockfeller Foundation Multi-Arts Production Fund, San Francisco's Hotel Tax Fund Grant for the Arts, the William & Flora Hewlett Foundation, the San Francisco Art Commission Cultural Equity Grants Program, the Mary Wohlford Foundation, the Zellerbach Family Fund, the Bernard Osher Foundation, San Francisco's Voluntary Arts Contribution Fund, the Wallace Alexander Gerbode Foundation, the Damatists Guild Fund, the Puffin Foundation, Individual Contributions and other donors.
       

left to right: Aidan O'Shea and Sara Gozalo

PHOTO: Elizabeth Cook

Danny and the Deep Blue Sea by John Patrick Shanley

EXIT on Taylor APR 13 - MAY 6 8PM THUR/FRI/SAT Tickets: $12 - $20 sliding scale ($12 previews April 13/14). Tickets online $20. For reservations call 415-566-0946. CLICK HERE TO BUY TICKETS ONLINE.

For tickets and other info please call 415-566-0946 or click here.

Written by 2005 Pulitzer Prize winning playwright John Patrick Shanley, "Danny and the Deep Blue Sea" tells the story of two emotionally bruised people who randomly meet in
a bar and are drawn together through mutual desperation and loneliness.
Their struggle to overcome their own fears and forge a true emotional connection together creates a passionate and poignant portrait of some of the deepest needs and fears of the human spirit.

Directed by Allison Asher. Featuring Aidan O'Shea as Danny and Sara Gozalo as Roberta. Stage managing by Jonathan Knapp.

EL OTRO LADO (THE OTHER SIDE) Arrival & Survival in San Francisco.

One Weekend Only!!! EXIT on Taylor THUR/FRI/SAT 8pm Tickets $7 - $27 sliding scale. Reservations: 415-738-7755

Presented by Power and Unconditional Theatre.A group of POWER members and low-wage workers investigated the lives of domestic workers in San Francisco. From their own words, we have created a mosaic of inspiration, heartbreak, and resistance. Directed by Kim Fowler & John Warren. El Otro Lado/The Other Side is a new documentary play about chasing the American dream, performed by local domestic workers who uprooted their lives and crossed borders to seek the promise of San Francisco. The play is scripted from interviews with workers and their families, as well as organizers, lawyers and local politicians. It is co-created by members of POWER (People Organized to Win Employment Rights) and Unconditional Theatre, a local company that explores social issues through community stories.

"We're trying to support ourselves. We're rich because we're together, but we're no less poor than many Latinos. Because living here, I don't think it's the American dream, it's the Latino nightmare."
-- Gloria Esteva, community worker, former domestic laborer

People around the Bay Area depend on domestic laborers to clean their houses and care for their children. Often these laborers are immigrants from Latin America and Asia, whose culture and living situations are vastly different from their employers. El Otro Lado/The Other Side is about chasing the American dream, in the words of people who uprooted their lives and crossed borders, to discover the promise of the city by the Golden Gate. Every word in the play comes from the stories of POWER members and their peers--people who know the challenges faced by domestic laborers first-hand. These testimonies offer equal parts heartbreak and inspiration, and are infused with a wisdom gained only by living on the edge.

El Otro Lado/The Other Side is performed bilingually, and is fully accessible to both English-speaking and Spanish-speaking audience members.
Marisa Franco, Community Organizer for POWER, says, "The stories of how folks got to San Francisco and what they have done to survive are incredible. We wanted to tell these stories in a way that would reach our member communities, as well as a broader range of people in San Francisco. Our collaboration with Unconditional Theatre will allow us to accomplish this."

ABOUT THE COLLABORATORS

POWER was founded in 1997 as a multi-racial membership organization that unites low-wage workers and tenants of color in San Francisco to change the economic and social systems that reproduce poverty and oppression. POWER wages strategic campaigns, develops the leadership of its members, and builds effective alliances to influence policy to respond to the needs of local communities. POWER has waged over 16 campaigns to achieve significant victories, such as winning free city transportation for workfare workers, and helping to create San Francisco's Living Wage Ordinance, the only one in the country to include workfare workers in the settlement. POWER also recently co-led a community and labor coalition of more than 20 groups to raise the minimum wage from $6.75 to $8.50 per hour. Visit POWER online at www.unite-to-fight.org.

UNCONDITIONAL THEATRE explores contemporary issues and events through the actual words, stories, and participation of those involved. By conducting interviews, sharing stories, and facilitating dialogue, they involve communities directly in dramatic work that builds understanding and seeks to inspire social change. Past documentary plays include Swing State Stories, Women on Death Row, The Flag Project: A Response to 9-11, Groping for Justice: The Bob Packwood Story, and Greensboro: A Requiem. The company is currently developing Voices of Activism: Crawford, a documentary play based on interviews conducted at last summer's anti-war protests in Crawford, TX. Visit Unconditional Theatre online at www.untheatre.org.

www.unite-to-fight.org

www.untheatre.org

Green Tiger Presents - MOKY’S LIFE 101: A conversation/dance piece about courage and hope despite a cynical, craven world. Written and performed by Moky Huynh.

EXIT Café. Opens Thursday, February 23rd, 8:30 p.m. Plays Fridays and Saturdays, February 24th - April 15th. Tickets $15 at the door. $7 for STUDENTS and SENIORS, and HALF PRICE TICKETS FOR EVERYONE UNTIL MARCH 18TH. No reservations required. REVIEW

Dear Potential Patron:
When I was a kid, my mother told me that I was idealistic. She said that life was not as simple as I thought. Just because you were kind to people did not mean they would reciprocate your kindness... and she was right.
Life is very cruel and prejudice. Yet despite the spiritual malaise, I genuinely feel that we can change the world ---- and I’m NOT talking about world peace. World peace will only actualize when the human race becomes extinct. But as long as we are here: poverty, strife, and racism will continue to encumber us ---- and that’s okay.
Because of these social ills, we are given the opportunity to make a difference. Otherwise, this profound opportunity would be robbed of us if the world was perfect. With that said, I believe change begins with truth. Not dogmatic truth. But painful, honest truth that cuts deep into our hearts ---- like the compromised life.
It’s quite apparent that the majority of people settle for less. They either work a job for mere survival, gradually eroding into mindless drones, or marry out of loneliness, as oppose to real, authentic love. But to strive for a life that they imagined has all become a distant memory.
Another painful truth: America is NOT a melting pot. Segregation may no longer be imposed, but it’s still being practiced voluntarily, even at universities. If you take a stroll around a campus... any campus, you will see that polarization still exists among so-called intellectuals.
I’m NOT here to change your mind or gain a following. I just want to do my part ---- instead of living as a coward by remaining neutral.
If you’re looking for escapism, then PASS my show. It’s NOT for you. Go spend your $15 dollars somewhere else. If you’re looking for self-help, PASS my show. I’m NOT Oprah. Go buy a book by Dr. Phil. On the other hand, if you ACTUALLY want to use your mind, your own intelligent mind, then take a risk on me. No tricks, no gimmicks. No hidden agendas. Just a conscientious guy who is speaking from his heart and dancing from his soul.

Sincerely,
Moky (pronounced like hockey, but with an ‘m’ instead of an ‘h’)

"Oftentimes, the most astute observations come from the outside, looking in. And this is definitely the case in [Moky’s] one-man show... Not your standard theatre fare, yet it does deliver a message of self-actualization and optimism." --Tom W. Kelly, San Francisco Bay Times

NO NUDE MEN presents WILLIAM SHAKESPEARE's Love's Labour's Lost.

Tickets: $10 Opens March 10, and plays March 11, 17, 18, 24, 25, 31, April 1, 7, 8. All shows are at 8 PM, at the EXIT Theatre Reservations: 415-621-1503 or endymion82@aol.com.

REVIEWS

One part comedy of manners, one part scathing satire, one part adolescent love story, one part human tragedy, LLL chronicles a few weeks in the lives of Ferdinand (John Russell), Biron (Ryan Hayes), Longaville (Chris Struett) and Dumain (Lee Marcotte), four rich young party boys about town who swear off love after Ferdinand's latest fling with spoiled and precocious Princess (Kendra Arimoto) goes awry during a group dance to the Killers- you know, just like we all do when we've had too much to drink. Navigating through a parade of cocktails and barbed witticisms, the lady and her friends, Rosaline (Cassie Powell), Maria (Stacy Flatt), and Katherine (Margery Fairchild) concoct a little poetic justice for the boys but in the process find themselves enmeshed in a love triangle between the local tramp (Alexis Perry), the local drunk (Warden Lawlor), and the local euro-trash (Chris Carlone) fresh from another tour in pretension. Soon, things are so mixed up even Boyet (Chris Kelly), everyone's favorite gay BFF, can't keep up and it all goes down one Mardi Gras night at the new hip neighborhood bar run by two sexy redheads (Gina Seghi, Lisa Rowland) who can't wait for all these stylish drama queens to move on.

Fantasticly bitchy, engagingly sexy, and ultimately sad in that subtle, cutting way that Shakespeare's just so darn good at, LLL is considered one of the Bard's masterworks, a top-notch tragicomedy featuring some of his best poetry and most memorable characters. A scathing portrayal of shallowness and hedonism, it oscillates between funny and heartbreaking with a swiftness reminiscent of the emotional mood swings of its immature protagonists so busy trying to enjoy life that they're forgetting to actually live it. NNM has taken this show, some five hundred years ahead of its time, and placed it in our very own back-alley bar, with slick costuming by Jess Kuper, dazzling lights by Bekah McNeil, and stylish scenery by Alexis Boozer. Directed by Stuart Bousel, all for the usual low low low price of ten bucks.

CLICK ON PICTURE FOR LARGER IMAGE

From top left and around
Noah Kelly, Deborah Wade, Mark Rachel, Sarah McKereghan, John Andrew Stillions

PHOTO: Laurie Gallant

ARRHYTHMICA a series of seven dark comic pieces by acclaimed RIPE Theatre Company, “not for the faint of heart,” written and performed by RIPE Theatre Company, a company in residence at EXIT Theatre. REVIEWS.
 
EXIT Stage Left FRI/SAT 8pm MAR 9 - APR 8, Tickets $12-20 (sliding scale) and $10 previews. Reservations (415) 673-3847, Online Tickets: $20 ($10 previews) CLICK HERE FOR ONLINE TICKETS.
 
Included are: The Dying Throes of a Wild Boar by Noah Kelly -- In Kelly's dark & comical exploration of societal pressures, three kids meet during recess to discuss a way of life, and in the process, mistakenly reenact
a horrific event.; Beached by Noah Kelly -- Ralphie and Tori, a 70-something couple, arrive at the funeral of a departed loved one & reveal a bit more than anticipated; Bottom of the Stairs by Mark Rachel. Three men regress, as they confront one of childhood's age old fears: ghosts; Moment by John Andrew Stillions. Three people discuss why they are "here". Set in a "comfortable" jail, this play tries to ask more questions than answers with a small, very confusing, twist in the end; Waiting Room by Sarah McKereghan. What happens to you after you die? Does the way you live your life dictate your afterlife or next life? In the Waiting Room, two women explore issues of Karma and Reincarnation; Turning up the Heat by Deborah Wade. Vincent’s fear of death has plagued him with phobias his whole life. Now as an employee of the power company he must confront the danger of heaters and his own heart when he is sent to the home of Natalie, his childhood crush; The Smell Of Snow by Deborah Wade. Going home is a subject Rachel tries to avoid talking about, while Simon teaches her a simple card game. The past and the present are competing for Rachel’s attention, as she tries to hold onto a perfect summer day. CLICK FOR MORE INFO ON RIPE THEATRE.

Ross Pasquale and Sandra Weingart

PHOTO: Suzan A. Kendall

EASTENDERS REPERTORY COMPANY PRESENTS 100 YEARS OF SEX-ACTS. FEBRUARY 28 - APRIL 1, 2006
Sixth Annual Festival of short plays entitled 100 YEARS OF SEX-ACTS featuring six short plays in repertory:
PLAYING WITH FIRE by August Strindberg, THE LOVE OF DON PERLIMPLÍN AND BELISA IN HIS GARDEN by Federico García Lorca, AND TELL SAD STORIES OF THE DEATHS OF QUEENS ... by Tennessee Williams, DIALOGUE BETWEEN A PROSTITUTE AND HER CLIENT by Dacia Maraini, THREE MORE SLEEPLESS NIGHTS by Caryl Churchill, and Edward Albee’s MARRIAGE PLAY. Six plays dealing with themes of sexuality and gender. REVIEWS.
February 28 through April 1 at the Exit on Taylor in San Francisco. Tickets ($10-$20) : 510.568.4118. or CLICK HERE TO BUY TICKETS ONLINE.
 
With 100 YEARS OF SEX-ACTS, ERC mines the festival formula we have developed since 1999 of the
chronological retrospective of the short play, designed around the ever-topical themes of sexuality and gender. How has sexuality been handled on the stage throughout the past 100 years? Each of the playwrights in our festival has ­ in his or her unique way ­ forthrightly wrestled with sexuality and gender issues in their work. Our Sixth Festival covers a wide range of styles and mores, from a 1892 comedy by Strindberg, which paints a somewhat cynical view of sexual and conjugal relations, to a 1978 feminist consciousness-raising drama by the Italian activist/playwright Dacia Maraini.
PLEASE NOTE: The festival is for Mature Audiences; SERIES A and B contain nudity.
SERIES A: PLAYING WITH FIRE by August Strindberg
THE LOVE OF DON PERLIMPLÍN AND BELISA IN HIS
GARDEN by Federico García Lorca
Series A: Feb. 28 (preview), March 3 (Opening Night Gala), March 9, March 15, March 18, March 24, March 30
 
SERIES B: AND TELL SAD STORIES OF THE DEATHS OF QUEENS ... by Tennessee Williams
DIALOGUE BETWEEN A PROSTITUTE AND HER
CLIENT by Dacia Maraini
Series B: March 1 (preview), March 4, March 10, March 16, March 22, March 25, March 31

SERIES C: THREE MORE SLEEPLESS NIGHTS by Caryl Churchill
Edward Albee’s MARRIAGE PLAY
Series C: March 2 (preview), March 8, March 11, March 17, March 23, March 29, April 1, Closes: Saturday, April 1

SHOWTIMES: 8:00 p.m.

TICKETS: $20 Opening night gala
$10 Previews, Wednesdays
$15 Thursdays
$18 Fridays and Saturdays
KQED, TBA, student and senior discounts, group rates available.
For tickets and information, the public may call 510.568.4118

Michael Sommers

PHOTO: Katherine Bettis

A.K. Conrad

PHOTO: Katherine Bettis and Kristine Krupp

UNCLE BUZZY'S HOMETOWN THEATER SHOW. Chicken Impressions! Revolutionary Politics! And Cookies for the Entire Herd!

EXIT Theatre. February 10 - March 4, 2006, Fridays and Saturdays 8pm. Tickets $17 - 20. CLICK TO BUY TICKETS ONLINE (http://www.brownpapertickets.com/event/2529) or call 1-800-838-3006. Tickets available at 7:30pm at the theatre the day of the show. For additional information visit www.unclebuzzy.org.

Uncle Buzzy, your host for the evening, is a kind-hearted Vermont farmer who was tricked off his land by a nasty conglomerate. To pay his bills, he’s rounded up his friends and created a traveling country variety show filled with skits and songs. Here’s a taste: THE CAT: A poem sung by Uncle Buzzy to his passive-aggressive cat. Amazingly, our host can recite poetry, juggle, and do his 1040 tax forms at the same time! But, will his fickle feline continue to ignore Uncle Buzzy's efforts to impress her? THE PHARMACY: Need some aspirin? How about a quart of milk? Or, maybe some hands-on advice with an enema? Visit Bill, the proprietor of a small town pharmacy that dispenses personal lubrication with a smile. UNCLE BUZZY’S FILM CAREER: Uncle Buzzy's amazing chicken impression once made him an overnight low-budget action-film sensation. BUZZARDS AND CROWS: Step into the secret lives of buzzards and crows and learn about the politics of claiming road kill. THE FCUK FAMILY MOVIE: Our lucky audience gets to visit with the most dysfunctional family on the planet. These folks make Jerry Springer’s guests look well-mannered.

Arrive, if you can, before the curtain rises to hear the amazing guitar playing of Ted Wee and the sounds of our fabulous house band: Satan's Spawn Good Time Jug Band! And, everyone gets one of Mrs. Buzzy’s homemade chocolate chip cookies! We’re looking forward to meeting you, neighbor!
Featuring: Michael Sommers, Lawrence Radecker, Bill Glanting, Marianne Trefz, Erin Daly, Chris Schlesinger, Ted Wee, and A.K. Conrad.

REVIEWS

(left to right) Jennifer Stuckert as Solange & Linnea Wilson as Claire
PHOTO: Rob Melrose

THE MAIDS by Jean Genet in a new translation by Martin Crimp, directed by Adriana Baer, presented by Cutting Ball Theater. REVIEWS
January 20 – February 25 Fridays and Saturdays at 8pm at EXIT Stage Left. Regular Admission: $25 Students & Seniors: $20. Next Generation (under 30): $15. Pay-what-you-can previews January 20 and 21. For more info call 415-419-3584.
CLICK HERE Reserve Tickets to The Maids
Based on a famous double-murder case, Jean Genet’s 1947 play explores the dark and romantic side of master/servant relationships. When their mistress is away, sisters and maids Solange and Claire perform a violent and expressive ritual. The game, deadly and captivating, allows the girls to act out their desire to murder both their employer and themselves. Genet, always challenging his society, dares his audience not to blink as an impossible idea suddenly becomes tangible reality. Martin Crimp’s translation uses the revised ending Genet wrote for the play’s first production, and is the only English translation that uses this ending. See the West Coast Premiere of this sleek, intense and forceful new translation, the first English language version with Genet's revised ending.
Featuring: Jennifer Stuckert, Sigrid Sutter, Linnea Wilson. Costume Design by Claire Calderwood, Lighting Design by Heather Basarab, Sound Design by Micaela Neus, Stage Managed by Laura Davis, Assistant Set Design by Robert McPhee, Graphic Design by Debra Singer

MARK ROMYN'S THURSDAY NIGHT COMBO. EXIT's variety show host Mark Romyn features short excerpts from some of the outstanding acts working on new material. Selections from magicians, writers and performers .$5 donation requested. EXIT Theatre THURSDAYS AT 8:30PM ON

  • February 9th -- 8:30pm

Giovanni Fusetti

THE SUBLIME STUPIDITY. Theatre Clown and the essence of Physical Comedy. A workshop with Giovanni Fusetti. FEB 11/12

Giovanni Fusetti, who will be in Blue Lake for an intensive teaching at the Dell'arte school has been invited by EXIT's company in residence mugwumpin, to teach a workshop for the general public on Sat. & Sun. Feb. 11 & 12 from 10AM to 5PM at EXIT on Taylor, 277 Taylor St. The fee is $175. Reservations for the workshop can be made at 415-931-1094. Class limited to 12. EXIT Theatre is also offering a scholarship for the public workshop. The fee would be reduced to $50 instead of the $175. Anyone interested would have to send in their name and contact information to mail@theexit.org by Tues. Feb. 7th at 5PM with Scholarship in the subject line and we will choose by lottery. Giovanni is also giving a free lecture-presentation to anyone interested on Fri. Feb. 10 at 6PM before the 8PM mugwumpin curtain at EXIT on Taylor.

CLICK FOR MORE INFORMATION ON WORKSHOP


The Clown is a very precise and rigorous poetical dis-order. It is the poetical transposition of the unique silliness of the artist. It's not an idea: it's a state of presence, completely rooted in the here and now of the action in the space. Among all theatre styles, the clown is the most personal and original of all: it's the final step of the long journey of Physical Theatre, when the artist arrives to explore his own imperfections, physical conflicts, "non-neutral attitudes", and "background noises", to amplify them with the use of the smallest mask in the world: the Red Nose. As a theatre style, Clown has a unique poetic potential because it allows the artist to explore and play with the naiveté of the child and the rigor of the adult, thus revealing the poetry of the absolute ridiculous.
There are many ways of being funny: creating comic characters, comic actions, comic stories… But each one of us is stupid in a very specific and original way. The sublime stupidity of the clown is his enduring trust in life, despite his radical imperfection.
During the lecture Giovanni Fusetti will guide the audience through the artistic and pedagogical history of Clown, to his connection with different theatre styles, flirting with its philosophical and spiritual dimensions. He will prove to the dear audience that intelligence is limited and stupidity is infinite, and will celebrate his own stupidity as well as the audience's, with a variety of demonstrations on clowns and their world, including clown instant birth.
At the end Giovanni will present the weekend intensive workshop on clown that he will be teaching during the coming weekend.
Come if you want to face your perfect imperfection.

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Christopher W. White in Your Nightgown is Jealous When You Dream

Maiya Murphy and Christopher W. White in Your Nightgown is Jealous When You Dream


Denmo Ibrahim & Yuval Boim in Symphony of Frogs, (Roman Kosins in foreground)

Yuval Boim in Symphony of Frogs


mugwumpin, in association with EXIT Theatre present Nightgown, Symphony. A double bill of new work!
EXIT on Taylor THUR/FRI/SAT 8pm, January 19 & 20 (Previews) then Jan. 21- Feb. 4.

For THUR/FRI/SAT FEB 9, 10, 11 8pm Nightgown will be combined with a special performance by Giovanni Fusetti and members of the mugwumpin company. REVIEWS

Tickets: $ 10 previews, $12-20 sliding scale during the run, $20 online. CLICK FOR ONLINE TICKETS or call (415) 673-3847 for reservations and pay $12 -$20 sliding scale at the door

Inaugurating the company's residency at the EXIT Theatre, mugwumpin, San Francisco's nerviest young company, brings together two original pieces in a whirlwind evening of innovative theatricality. These wildly different pieces give a taste of the range of mugwumpin's work, while sharing the company's trademark visceral physicality and humor.

For one weekend only (February 9, 10, 11) half of mugwumpin's double bill Nightgown, Symphony will be replaced by a unique event featuring the extraordinary physical theatre teacher and clown, Giovanni Fusetti, performing with members of mugwumpin. Forget white makeup, forget floppy shoes, forget what you think you know about clowning. Fusetti's approach reveals the seriously silly side in all humanity. The event will be a unique and unforseeble (does this word exist in English in the sense of something you can't preview?) journey into the universe of red noses, where you will witness the birth, evolution and theatrical delirium of a group of clowns, under the direction of a ringmaster. Improvisation and human stupidity will guarantee the uniqueness of each performance, and will leave you gasping for breath. Fusetti, in town to teach a sold-out workshop hosted by mugwumpin, steps in to replace Symphony of Frogs, which must end early due to unforeseen circumstances. The second half of the double bill, Your Nightgown Is Jealous When You Dream, will still perform as scheduled. For more of Giovanni Fusetti, please come see his lecture-demonstration, The Sublime Stupidity, on Friday, February 10 at 6 pm at EXIT on Taylor. CLICK HERE FOR GIOVANNI'S LETTER REGARDING THIS EVENT.

Your Nightgown Is Jealous When You Dream, performed by Maiya Murphy and Christopher W. White, directed by Jyana S. Gregory, created by Jyana S. Gregory, Maiya Murphy, and Christopher W. White

Henry wanders where his music flows. His music flows from a different source. May, alluring and untouchable, wants just one thing. Guess what? She can't have it.Phyllis lands Henry and his music all for herself. Or so she thinks. Henry, May, Phyllis. Sometimes the best place to meet is a mirror.

With Your Nightgown Is Jealous When You Dream, mugwumpin performs a kind of temporal alchemy with a 17th Century Chinese ghost story, transporting it to a strangely vivid alternate reality and infusing it with original music inspired by traditional Americana. This Nightgown will both charm you and creep you out.

Symphony of Frogs, conceived by Yuval Boim and Denmo Ibrahim, created by mugwumpin, performed by Yuval Boim, Denmo Ibrahim, Roman Kosins, and Joseph Estlack, music by Roman Kosins, directorial support: Christopher W. White

Constance and Paul aren't doing so great. A homeless woman is dragging the desert through their living room. The bride's getaway car is lodged in their icebox. If only the crow and wolf-man could satiate baby with a bottle of E minor. Universes peel from their Venetian blinds and leave the couple lost and unrecognizable to each other. Nonetheless, they have been here before.

Symphony of Frogs is a driven, visual mosaic - assembled, disassembled, reassembled and misassembled. Constance? Paul? Are you there? Welcome to the dance of Apt 2B. You have been warned.

mugwumpin is at the forefront of young American companies interested in creating a visual experience, questioning the primacy of text and narrative in theater. Our creation process, firmly rooted in the dynamic of ensemble collaboration, re-ignites a sense of curiosity in ordinary experience to reveal a teeming, hidden world beneath-strange, extraordinary, ruled by its own visceral logic. Consisting of shards of stories, images, music, words, and gesture-found on the sidewalk or built from scratch-our work seeks to contradict, question, and precariously balance our finite understanding of what performance is with what else it might be.

Rabbit Causes Dog, the company's first production, performed to great acclaim, winning Best Play in the San Francisco Fringe Festival 2004. Bouge!, an early version of Symphony of Frogs, sold out houses at the Bebersee Festival [Germany] in 2004. Your Nightgown Is Jealous When You Dream, premiered at the Boulder Fringe Festival in 2005. In early 2006, mugwumpin will present Symphony of Frogs and Your Nightgown Is Jealous When You Dream as a double bill at EXIT Theater, followed by the premiere of a new work in progress in April, as part of the Shotgun Players Theatre Lab.

CLICK FOR ARTIST BIOGRAPHIES

mugwumpin mission statement

mugwumpin, a San Francisco-based performance company, seeks to restore the relevance of live, theatrical performance, particularly for young adults, by reinventing received models of creation and presentation. Mugwumpin expands cultural notions of narrative, venue, and text through work that privileges visual image over text, draws inspiration from other cultures, and develops from a collaborative process.

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(left to right) Sean Owens, Libby O'Connell, Michelle Talgarow, Nick Sholley*, Josh Pollock

PHOTO: Laurie Gallant


(left to right) Nick Sholley*, Sean Owens, Libby O'Connell, Michelle Talgarow, Josh Pollock

PHOTO: Laurie Gallant

 

*member Actors' Equity Association

An Equity-approved project.

EXIT Theatre Presents ODD BY NATURE An evening in Sean Owens' shorts.
Sex sells, and comedy is prime. Here's the equation:
One author. Three songs. Five actors. Seven plays. Nine performances
REVIEWS
EXIT Theatre THUR/FRI/SAT 8pm, January 19 & 20 (Previews), runsa Jan. 21- Feb. 4.
Tickets: $ 10 previews, $12-20 sliding scale during the run, $20 online. CLICK FOR ONLINE TICKETS or call (415) 673-3847 for reservations and pay $12 -$20 sliding scale at the door
 
San Francisco playwright Sean Owens celebrates 15 years of playwriting with this odd and audacious evening of short plays. Five brilliant actors band together to perform thirty-two separate roles, in an evening of interlaced with song.
From solo performance to sketch comedy, as both performer and writer, Owens has been honored to premiere a number of his major works at EXIT Theatre. From his one-man musical Girlesque, to his six-woman exploration of color and causality Tincture, and the spectacular collaboration with Banana, Bag & Bodice's Jason Craig which yielded Gogol, Owens has been rewarded with rave reviews and-more importantly-delighted and devoted audiences.
Fans of Owens' work will rejoice at the many never-before-seen gems, while newcomers will have a chance to sample these tiny masterworks, including Climax and Sudden Descent, which were both awarded Best of Playground by the Emerging Playwrights' Festival.
The evening starts with Climax, in which an urbane couple dress for dinner and lament the impossibility of going anywhere. Then in Sudden Descent, four mourners grieve over a flying pig. Buried Alive By THE Hottest Guy lets us peer into the final thoughts of a boy toy who hasn't had many in his lifetime. Je Ne Sais Pas finds us sampling unusual French cuisine in which each course is harder to swallow than the last. In The Chattanooga, an early model vibrator, measuring six feet in length, appears on the doorstep of a perfectly respectable chairwoman. The Projectionist shows the shadowy realms in which perversity is a loosely curated art form. And finally, Danger At The Dardenelles brings us the premiere of the allegedly lost Noel Coward melodrama.
A rollicking musical score by award winning composer Don Seaver keeps the pace of the evening brisk. Three original songs by Seaver and Owens punctuate the scenes, with a conspicuously salty air-The Sex Life of Rob and Laura Petrie, One Man (At A Time), and Everybody Loves Porn! Seaver and Owens began their collaboration in 1997, with the musical score to Owens' The Big Drag, at Theatre Rhinoceros.
 
Written by Sean Owens, featuring Libby O'Connell, Joshua Pollock, Nick Sholley*, Michelle Talgarow, and Sean Owens.
Amanda Ortmayer provides deceptively simple sets and lighting which flexes to accommodate text that is at once crisp and florid, while projections by filmmaker/animator Jeremy Solterbeck complete the mis-en-scene, highlighting the architecture of the writing, the versatility of the performers, and the whimsical versatility of the author.

PLAYS AT THE EXIT DURING 2005
PLAYS AT THE EXIT DURING 2004
PLAYS AT THE EXIT DURING 2003
PLAYS PRESENTED AT THE EXIT DURING 2002
PLAYS PRESENTED AT THE EXIT DURING 2001 AND BEFORE
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