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 The Unexpected Man by Yasmina Reza  

OTHER MEDIA 
SF WBay Guardian July 22, 2009 (Robert Avila)
 
It's hard to resist the idea of seeing veteran stage actor Ken Ruta on the intimate Exit Theatre stage in the Bay Area premiere of a play by Yasmina Reza—the French playwright who penned Art and just walked away with a Tony for The God of Carnage. Reza's 1998 two-hander, The Unexpected Man, however, is not a very compelling play. Most of it consists of separate sets of internal monologues unfolding on either side of a train compartment by the two strangers occupying it: a curmudgeonly author (played with affable fluster and bluster by Ruta) and a secret fan (a cautious but whimsical Abigail Van Alyn) with his latest book, the eponymous "Unexpected Man," in her handbag. The tone is lightly comic and a bit wistful but neither character seems to reveal much about much. Spare Stage's production, meanwhile, directed by Stephen Drewes, seems to do little more than let the actors go, but the effect is a little too static, the journey not very far or elucidating.
 

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