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 Thom Pain (based on nothing) by Will Eno  

OTHER MEDIA 
San Francisco Examiner April 2, 2009 (Leslie Katz)
An exhilarating solo exploration of ‘Pain’
By Leslie Katz

SAN FRANCISCO – Playing a truly one-of-a-kind role in a show in which his job is to put the audience on edge, Jonathan Bock has his work cut out for him.
He succeeds.
 
The actor portrays the title, and sole, character in playwright Will Eno’s surrealistic award-winning piece “Thom Pain (based on nothing),” a Cutting Ball Theater production onstage in an extended run in the tiny Exit on Taylor theater in The City.
The intimate space is the ideal setting for the unusual, sometimes funny, sometimes scary, always involving and provocative hour-long performance, which at times puts the viewer into a zone of discomfort like the kind in small comedy clubs when the comic decides to single out a patron for the amusement of all.
 
A hit off-Broadway, “Thom Pain” isn’t a monologue with a story. It’s Pain, a pleasant-looking fellow in a suit, relating sort-of connected anecdotes and, more powerfully, making pithy observations about the empty realities of life.
 
Toward the back of the stage are a chair, table and glass of water, which the audience keeps thinking will come into play in the show.
 
But Pain stands well in front of the props, just a few feet from the audience, pointedly directing his spiel, often in an accusing style, and looking specific individuals directly in the eye.
 
The humor often comes from the disparate juxtapositions, when Pain begins a thought with a biting philosophical notion and ends with, “On the other hand, there are some nice shops in the area.”
 
Under sharp direction by Marissa Wolf, Bock achieves perfect tone with the tough, touchy material. One note off, or a half-step more intense, he’d have people running for the exits — one person does, in what had some folks at Saturday’s performance wondering whether or not it was staged.
 
While the confrontational stance does keep everyone at attention, writer Eno smartly peppers the script with brief, empathetic comments about love, heartbreak and not fitting in.
 
Addressing those universal emotions in a fresh, thrillingly obscure way is how “Thom Pain” really pulls people in.
 

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