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Slaughter City
- by Naomi Wallace
San Francisco Weekly April 7, 2004 by Sunny
Andersen
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- You Kill Me
- Kentucky noir onstage
- Kentucky conjures up a myriad of enticing images: extravagant hats
on the heads of Derby-goers, luscious bourbons blended to perfection by
Maker's Mark and small-batch producers, and, of course, the bat that hits
the hardest, the Louisville Slugger. What doesn't immediately come to mind
are the trials of assembly-line workers at a meat processing plant, a brutal
reality explored in Slaughter City, which makes its West Coast premiere.
- In Naomi Wallace's riveting drama, first performed in 1996 by England's
Royal Shakespeare Company, two thirtysomething neighbors on a slaughterhouse
assembly line -- lifelong friends Roach (an African-American woman) and
Maggot (a Caucasian man) -- are confronted by the thanklessness of their
jobs, industrial labor issues, and a mystical force going by the name of
Cod. Passion, desire, and other human foibles come to the forefront as
Cod (played by San Francisco native Gillian Chadsey, returning to town
for this role) awakens an unexpected fervor and power in the workers.
- With a slightly surreal bent, Wallace's play examines a complex tangle
of issues -- gender, race, politics, and the human condition -- while still
maintaining tinges of humor and poetry. Audiences become grittily entrenched
in the world of Kentucky's blue-collar workers, without having to cross
state lines or get drenched in the blood of recently butchered animals.
The show has its final open dress rehearsal tonight at 8 (and continues
through May 8) at the Exit Theatre, 156 Eddy (at Taylor), S.F. Admission
is $15-20 (the gala opening on April 10 is $25); call 675-5995 or visit
www.crowdedfire.org.
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