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 Mud by Maria Irene Fornes  

OTHER MEDIA 
Beyondchron.org
 
Mud – Raw and Riveting!; Airwaves Exchange! (Hot Stuff)
by Buzzin' Lee Hartgrave‚ Jan. 16‚ 2009
MUD IS A SHOW YOU WILL REMEMBER
The industrial music sounds at the beginning of the show set the tone of the play. As the cranking horrific music wafts around the theater, you know that you are going to be trapped in some serious unpleasant moments.
 
The first scene: There is an ironing board. Men’s white shirts are hanging to dry. Behind the ironing board is an Iron Pot sitting on a beat up Hot Plate. Mae enters the room and starts to Iron shirts that she is pulling from a basket.
 
Mae lives with Lloyd, who is not the brightest bulb in this neck of the woods. Mae’s father brought Lloyd, who was an abandoned child home. He was raised with Mae. They live in rural parts in the middle of nowhere. They are completely broke. It’s doubtful that they have two quarters to rub together. Mae Irons shirts just to keep her and Lloyd in bread and soup. The room itself is enough to keep you in constant depression. Neither one of them can read; although Mae does a little better then Lloyd who is totally illiterate. Also Lloyd is not well and he won’t go the clinic to find out what’s wrong with him. Mae goes to school when she can, to learn to read and write. Lloyd just sits around and rots.
 
They have had an affair, although they are not married. But, now Mae is tired of him just laying around and doing nothing. “I work”, Mae says. I Iron clothes so that I can buy the things that we need to live, and I go to school.” Lloyd comes onto Mae. “I can still get it up Mae” – he says. “No you can’t get it up. You’re sick Lloyd, and you can’t get it up. You stink. Nobody wants to be near you. The dogs will puke when they get near you.” “F%ck you Mae – I can get it up, you whore.” – says Lloyd as he rubs himself down there.
 
There is a Tennessee Williams feeling to this play. It’s real, it’s brash and hits you like a steamroller. But, as bad as things are – they get worse as a man with no home comes to visit. His name is Henry. Mae hopes that he can read a medical brochure to see if she can find out what is wrong with Lloyd. Henry is not all that helpful, even though he can read a little better. The answer is still that Lloyd needs to go to the clinic. Finally Lloyd goes to the clinic. “They want me to take some pills and they want me to buy them” – he tells Henry who avoids offering any help, except to tell Lloyd that he needs to do what they tell him. Lloyd does get his pills, but I won’t tell you how he got them.
 
Henry moves in, replacing Lloyd in Mae’s bed. Then an accident happens and Henry becomes partially paralyzed. Now Mae has two imperfect men to take care off. She wants to get on with her life. Mae wants to go to school to learn things. When she walks out the door, Lloyd is destroyed. He completely falls apart as he blends into the Mud and dirt on the floor. His torn socks are like a statement of his life. The ending is heartbreaking, and indescribably moving! Prepare to be riveted. This play shows you the thin line between love and hate. The acting is absolutely brilliant by these masterly actors: Alan Kaiser (Lloyd), Marilet Martinez (Mae) and Garth Petal (Henry). The spectacular directing is by Paige Rogers. The fascinating, complex play is by Maria Irene Fornes. Liliana Duque designed a perfect set, and Cliff Caruthers sound design chilled me to the bone. Bessie Delucchi’s Costume designs were right on target. Clear your calendar to see “Mud” – a heartbreaking story of resilience, hope, and how far people will go to get it
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PLAYING AT THE ‘CUTTING BALL THEATRE’ (At Exit Theatre) on Taylor Street.
RATING: FOUR GLASSES OF CHAMPAGNE!!!! (Highest Rating) –trademarked-
 

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